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“I wrote with one eye on the news, and the other on Shakespeare’s winking double speak and sarcastic asides, and the marriage of the two tapped instantly and directly into all of our collective outrage at the hypocrisies and absurdities of today. It’s a sobering reminder that Measure for Measure isn’t a play about outdated archetypes very long ago in a historically amorphous Vienna. It’s about us.” Aditi Brennan Kapil, playwright
Playwright
Aditi Brennan Kapil
ADITI BRENNAN KAPIL (she/her) is a television and theatre writer, actress, and director. She is of Bulgarian and Indian descent, and was raised in Sweden prior to moving to Minneapolis, and more recently Los Angeles where she lives with her spouse, 3 kids, a dog, a cat, and a turtle. Recent TV projects include Invasion on Apple+, Awayon Netflix, and American Gods on Starz. Recent theater projects include 6-part ghost story Marrow on Audible Originals, Orange at SouthCoast Repertory Theatre, and Imogen Says Nothing at Yale Repertory Theatre.
Aditi’s first play Love Person, a four-part love story in Sanskrit, ASL and English, was developed during a Many Voices residency at the Playwrights’ Center, work-shopped at the Lark Play Development Center, and selected for the National New Play Network (NNPN) conference 2006. Love Person was produced in a NNPN rolling world premiere at Mixed Blood Theatre (MN), Marin Theater (CA), and Phoenix Theatre (IN), in the 2007/08 season. In 2008/09 it was produced at Live Girls! Theatre in Seattle, Alley Repertory Theatre in Boise, and Victory Gardens Theatre in Chicago. Love Person received the Stavis Playwriting Award in 2009.
Her play Agnes Under The Big Top, a tall tale was selected as a 2009 Distinguished New Play Development Project by the NEA New Play Development Program hosted by Arena Stage, and was developed by the Lark Play Development Center (NYC), Mixed Blood Theatre (MN), InterAct Theatre (PA), the Playwrights’ Center (MN), and the Rhodope International Theater Laboratory (Bulgaria). Agnes Under the Big Top premiered at Mixed Blood Theatre and Long Wharf Theatre (CT) in 2011, and Borderlands Theater (AZ) in 2012 in a NNPN rolling world premiere.
Her Displaced Hindu Gods Trilogy (Brahman/i, a one-hijra stand-up comedy show; The Chronicles of Kalki; and Shiv), based loosely on the Hindu trinity of Brahma, Vishnu, and Shiva, premiered in repertory at Mixed Blood Theatre in October 2013, and have since been produced across the US and in the UK. Brahman/i and The Chronicles of Kalki received an unprecedented double nomination for the James Tait Black Prize, University of Edinburgh, UK.
Dramaturg
Andrew Ian Carlson
Andrew is a faculty member in the Department of Theatre and Dance at the University of Texas at Austin where he teaches courses in dramaturgy, Shakespeare, acting and performance studies and serves as the co-head of the B.A. program. Since 2012, Andrew has also been the managing director of the Oscar G. Brockett Center for Theatre History and Criticism. With the Brockett Center, he has worked on a variety of initiatives such as The American Theatre Archive Project and the American Theatre Magazine’s historical almanac column.
Andrew is co-author of the 11th edition of textbook The Essential Theatre and has published essays in Theatre History Studies, American Theatre Magazine, and the Routledge Companion to Dramaturgy. He has presented scholarship at the American Society for Theatre Research (ASTR), Association for Theatre in Higher Education (ATHE), Association for Practical and Professional Ethics, American Society for Eighteenth Century Research and the Mid-America Theatre Conference.
As a dramaturg and actor, Andrew has worked with the Guthrie Theatre, Oregon Shakespeare Festival, Children’s Theatre of Charlotte, First Folio Theatre, ZACH Theatre, Austin Shakespeare, and Children’s Theatre of Madison. He is also an artistic associate with The Great River Shakespeare Festival where he has worked as an actor for ten seasons. Andrew is an award-winning teacher. In 2016, Dr. Carlson received the Regents’ Outstanding Teaching Award and is a 2017 Provost’s Teaching Fellow.
Liz Engelman
Liz Engelman is the Executive Director of Tofte Lake Center, a creative retreat for artists of all disciplines. She recently moved back to Minneapolis from Austin, TX, where she taught in the Playwriting/Directing Area at UT Austin. Liz has worked at Hedgebrook as the Alumnae Coordinator and Festival Dramaturg, and has served as the Resident Dramaturg at Mixed Blood Theatre, as the Literary Director of the McCarter Theatre, the Director of New Play Development at ACT Theatre in Seattle, Literary Manager/Dramaturg at Seattle’s Intiman Theatre, and as Assistant Literary Manager at Actors Theatre of Louisville. She has worked on the development of new plays across the country and abroad. Liz has served as President, Board Chair and is a current Board Member of LMDA. She is on the board of NNPN and is on the Advisory Board of Scriptworks. She is a recent board member of the National Theatre Conference.
In Print
Measure for Measure
An accessible new translation of one of Shakespeare’s most interesting and challenging plays.
One of Shakespeare’s most difficult plays, Measure for Measure has long challenged performers and audiences alike. In reworking the play in her translation, Aditi Brennan Kapil honors the structure, rhythms, and themes of Shakespeare’s original. Kapil’s updated language makes this cautionary fable about frailty, power, and the perils of legislating morality accessible for today’s audiences.