At Cal Shakes, Co-directors Eric Ting and Dawn Monique Williams have staged a first-rate “Lear” with all its rage and fury.

Tag: Review (page 3)
Oakland writer Marcus Gardley puts a modern spin on ‘King Lear’ at Cal Shakes
This world premiere is a poetic production that mirrors Shakespeare’s story, but reimagines it with a 21st-century, modern-verse vocabulary that the audience will more readily understand.
The king is a Fillmore District real estate magnate in Cal Shakes’ twist on ‘Lear’
This world premiere is a poetic production that mirrors Shakespeare’s story, but reimagines it with a 21st-century, modern-verse vocabulary that the audience will more readily understand.
Curtain Calls: ‘Lear’ in Orinda sets Bard classic in S.F.’s 1969 Fillmore
East Bay Times’ review of Lear, by Marcus Gardley, produced by Cal Shakes.
Review: Cal Shakes’ dazzling new ‘Lear,’ set in the ’60s Fillmore District, takes the tragedy to another level
[S]eeing “Lear,” Marcus Gardley’s bold new adaptation of Shakespeare’s monumental tragedy, is enough to make you wonder whether you’ve ever really grasped the full impact of the original play.
Review: LEAR by Marcus Gardley at Cal Shakes
Cal Shakes and Obie award winner Marcus Gardley present a deconstructed, modern verse updating of King Lear and it’s a visually stunning, marvelously acted update that gives the Bard’s story of betrayal, power and family legacy urgency and import for today’s audience.
Review: Much Ado About Nothing by 1623 theatre and Purple Theatre
Much Ado About Nothing is a lively play which explores themes around relationships and looks at attitudes towards genders and stereotypes.
Review: Understand every word of Shakespeare’s ‘Lear’ at Cal Shakes
At Cal Shakes right now, you can understand every word of a Shakespeare play.
Theater Review: Portland Shakespeare Project’s Modern Translation of Shakespeare’s The Winter’s Tale
Life is complicated. Love, trust, hope, sadness, grief, betrayal—emotions and how we experience them are seldom back and white.
DramaWatch: A summer ‘Winter’s Tale’
Portland Shakespeare Project gives a “Play On” twist to a tale of jealousy and redemption. Plus openings, closings, and a farewell to Peter Brook.