The New Yorker reviews NAATCO’s production of Romeo and Juliet, translated by Hansol Jung.
Tag: Review (page 2)
Review: ROMEO AND JULIET at Two River Theater Brings Captivating Modern Twists to Shakespeare’s Classic
A unique production of Romeo and Juliet is now being presented at Two River Theater (TRT). We are certain you will find the show captivating.
A New Take on Romeo and Juliet
The Two River Times interviews Hansol Jung on her translation of Romeo and Juliet and they discuss its 2023 production at Two River Theater, in partnership with NAATCO.
Theater Review: CORIOLANUS (Actors’ Shakespeare Project in Boston)
When I think of Shakespeare’s women, many names come to mind: Gertrude, Lady Macbeth, Ophelia, Beatrice, Portia, Helena, Titania, Rosalind, Juliet, Desdemona.
Transcendent Experiences Meld as Capitalism Kills: a critical response to LEAR, with footnotes
We(1) saw Lear at the California Shakespeare Theatre(2). Capitalism and unresolved grief(3) kills(4) almost everyone.
“Coriolanus” – Actors’ Shakespeare Project (Boston, MA.) – Review
The show, originally structured as five acts, has been paired down to just two, and explores the lure and impact of reigning power upon the lives of those who want it, get it, abuse it and, more often than not, ultimately lose it.
A Lear for Today: Black, Bold, and Biblical in Scope
A Forbes’ review of Cal Shakes’ production of Marcus Gardley’s Lear.
Review: ‘LEAR’ by Marcus Gardley, a World-Premiere Adaptation/Modern Translation of Shakespeare’s ‘KING LEAR” (*****)
Why tamper with this particular masterpiece?
How to make Shakespeare immersive
SF Bay View’s review of Cal Shakes’s production of Lear, by Marcus Gardley.
Marcus Gardley’s ‘LEAR’ is a Culturally Rich Re-Imagining of Shakespeare
When King Lear, played by James A. Williams, first appears on stage, he wears a long fur coat.