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Try it in Translation!

About Play On

Play On Shakespeare is a non-profit company promoting and creating contemporary modern translations of Shakespeare’s plays. We partner with artists and organizations across the globe to deliver these translations through different channels including publications, podcasts, theatrical productions, film and audio books.

You think you know Shakespeare?

You think you can’t know Shakespeare?

You think “Enough already with all the Shakespeare!”

Try it in translation.

You’ll be surprised.

By what you don’t know.

And what you always already knew.

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Explore our artists

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  • Artist Headshot

    Lloyd Suh is the author of The Chinese Lady, Charles Francis Chan Jr.’s Exotic Oriental Murder Mystery, Franklinland, The Wong Kids in the Secret of the Space Chupacabra Go!, Jesus in India, Great Wall Story, American Hwangap, and others, produced with Ma-Yi, Ensemble Studio Theatre, Magic Theatre, NAATCO, Children’s Theatre Company, ArtsEmerson, Milwaukee Rep, Denver Center, the Guthrie with Mu Performing Arts, Jackalope, and others, including internationally at the Cultural Center of the Philippines and with PCPA in Seoul, Korea. He has received support from the NEA Arena Stage New Play Development program, the Andrew W. Mellon Launching New Plays Into the Repertoire initiative via the Lark, NYFA, NYSCA, Jerome, TCG, Dramatists Guild, and the Helen Merrill Award from the New York Community Trust. His plays have been published by DPS, Samuel French, Smith & Kraus, Duke University Press, and American Theater magazine. He is an alum of Youngblood and the Soho Rep Writer/Director Lab, and from 2005-2010 served as Artistic Director of Second Generation and Co-Director of the Ma-Yi Writers Lab. He is currently a Resident Playwright at New Dramatists, serves on the Dramatists Guild Council, and has since 2011 served as Director of Artistic Programs at The Lark.

    Lloyd Suh

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  • Artist Headshot

    Andrea Thome is a Chilean/Costa Rican-American playwright who grew up navigating the multiple landscapes and languages that inhabit her plays. Her play Pinkolandia received a rolling world premiere at INTAR Theater (NYC), Austin’s Salvage Vanguard Theater, Two River Theater (NJ), and 16th Street Theater (Chicago). It was awarded the Lark/Mellon Foundation’s Launching New Plays Fellowship, and was translated into Russian and presented at Moscow’s Meyerhold Center. Other current plays in progress include Purgatorio (developed through SPACE on Ryder Farm and Keen Company), and an untitled play about an 11th-century astronomer from Muslim Spain, commissioned by Ensemble Studio Theatre/The Sloan Foundation.

    Andrea’s playwriting often experiments with the nature of theatrical collaboration. She was recently commissioned by En Garde Arts to write Undocumented, created from her interviews and ongoing conversations with undocumented immigrants. Collaborating with composer Sinuhé Padilla-Isunza and director José Zayas, they shared a developmental reading at Joe’s Pub (at the Public Theater) in November 2017, and are in the process of developing a full-length version in conversation with both theaters and community organizations. For the Public Theater, Andrea created Troy in collaboration with director Laurie Woolery and Public Works’ ACTivate Ensemble. This year and a half-long process, in which the community ensemble helped generate and also performed the material, culminated in a full production at the Public in June 2016. She has also been developing a unique collaborative process with director Lisa Rothe, composer Amir Khosrowpour and a collaborating ensemble of performers and storytellers to create a multidisciplinary, musical piece, The Necklace of the Dove. Weaving together stories about love from a medieval Muslim Spanish book and a modern immigrant community in Queens, the piece has been developed through Mabou Mines’ Resident Artist Program, Fulcrum Theater, The Lark and New Georges’ Audrey Residency.

    Andrea’s other plays include Undone (Whitman Award; developed at Queens College, Victory Gardens, Lark), Worm Girl (Cherry Red Productions), various short plays and many collaborative projects. Her play translations (including Guillermo Calderón’s Neva) have been produced by the Public Theater, CTG, La Jolla Playhouse and others. She co-created and has directed the Lark’s México-US Playwright Exchange Program since 2006, which brings together Mexican and US playwrights to create theatrical translations of new Mexican plays and build lasting collaborative relationships and dialogue. Andrea co-founded fulana, an all-Latina satire collective that creates cutting-edge political & cultural parodies online and beyond (www.fulana.org), and she spent 5 formative years in San Francisco, where her Red Rocket Theater Company created and produced an original play each month, and where she worked with artists including Latina Theatre Lab, Campo Santo, Guillermo Gómez-Peña and Brava.

    She has received fellowships and residencies from NYFA, MacDowell Colony (awarded Thornton Wilder fellowship), New Voices/New York, the Camargo Foundation, Blue Mountain Center, SPACE on Ryder Farm’s Working Farm group, the City of Oakland, New York University (MFA Fellow), Women’s Project Lab, and Keen Company. Andrea was a New Dramatists resident playwright from 2009-2016. http://newdramatists.org/andrea-thome

    Andrea Thome

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  • Artist Headshot

    Marcus Gardley is a proud Oakland-born playwright-poet whom the New Yorker calls “the heir to Garcia Lorca, Pirandello and Tennessee Williams.” His play, X OR THE NATION V. BETTY SHABAZZ was a New York Times Critic Pic and was remounted off-Broadway in the Spring of 2018. His play THE HOUSE THAT WILL STAND opened off-Broadway in the summer of 2018 to rave reviews and a sold-out extension with 8 AUDELCO nominations, winning 4 including Best Play. It is now being adapted into a motion picture written by Gardley. He is the recipient of the 2019 Doris Duke Artist Award and the 2019 San Francisco Library Laureate Award. Gardley received the 2018 Guiding Light Award presented by Cal Shakes and won the 2017 Special Citation Theater Award for his play black odyssey, which swept the Theater Bay Area Awards garnering 6 other prizes including Best Production and a special playwrighting award. He is the 2015 Glickman Award for THE HOUSE THAT WILL NOT STAND and the 2013 USA James Baldwin Fellow. He was the 2011 PEN Laura Pels award winner for Mid- Career Playwright. His work has been produced across the country with several productions in England and France. Upcoming productions include: a musical called PARADISE SQUARE with choreography by Bill T. Jones and directed by Moises Kaufman slated for Broadway. Currently, Gardley is writing a biopic about Marvin Gaye produced by Dr. Dre, and a film adaptation of 12 Angry Men and developing a TV series with OWN and HBO as well as F/X and a TV series with Michael B. Jordan about Mansa Musa.

    Marcus Gardley

    Playwright, 
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