African-American Shakespeare Company makes waves with their production of Taming of the Shrew, set in the 1970s.
Tag: Review (page 2)
Portland Center Stage Gives Shakespeare’s Coriolanus Modern Touches
“Where the play succeeds the most is in its political undertones, which reflect flaws in today’s democracy.”
Review: CORIOLANUS at Portland Center Stage
CORIOLANUS is not one of Shakespeare’s most popular or frequently performed plays. But, after seeing the riveting production currently running at Portland Center Stage co-presented with the Oregon Shakespeare Festival, I think it should be.
A fresh ‘Coriolanus’: Shakespeare for today
Shakespeare’s “Coriolanus,” in a modern translation and a female/nonbinary cast, delves into matters of power and politics that feel both ancient and contemporary.
DramaWatch: ‘Coriolanus’ and the perils of power
“Why Coriolanus, and why now?”
Review: CORIOLANUS at Portland Center Stage
Broadway World reports that Coriolanus at Portland Center Stage is a hit!
Review: A ‘Romeo and Juliet’ That Clowns Around With Tragedy
Alexis Soloski of The New York Times reviews NAATCO’s production of Romeo and Juliet, translated by Hansol Jung.
“Play on Shakespeare” – changing the language but not the drama
London Born & Bred gives readers an insight on Play On Shakespeare’s Research in Action event at Shakespeare’s Globe in London, UK!
Romeo and Juliet (NAATCO/Two River Theater)
Tony Marinelli of Theater Scene reviews NAATCO and Two River Theater’s Romeo and Juliet, translated by Hansol Jung.
Theater Review: Two ‘Romeo and Juliet’s’, Both Alike in Dignity, Imagination and a Love of Pop Music (Be It The Backstreet Boys or Prince) Are Worth Catching
The Interested Bystander reviews NAATCO and Two River Theater’s production of Romeo and Juliet, translated by Hansol Jung.