Try it in Translation
San Francisco, CA, USA. Richard II is Shakespeare's examination of the destructive powers of privilege. In the second half of the Iizuka Repertory at The Magic, the company from the world premiere of Garuda's Wing will perform a new, lean production of Iizuka's Richard II shaped for this company. This will be the first Shakespeare produced by The Magic Theatre in decades and will feature POC, women, and queer folx throughout.
San Francisco, CA, USA. Richard II is Shakespeare's examination of the destructive powers of privilege. In the second half of the Iizuka Repertory at The Magic, the company from the world premiere of Garuda's Wing will perform a new, lean production of Iizuka's Richard II shaped for this company. This will be the first Shakespeare produced by The Magic Theatre in decades and will feature POC, women, and queer folx throughout.
San Francisco, CA, USA. Richard II is Shakespeare's examination of the destructive powers of privilege. In the second half of the Iizuka Repertory at The Magic, the company from the world premiere of Garuda's Wing will perform a new, lean production of Iizuka's Richard II shaped for this company. This will be the first Shakespeare produced by The Magic Theatre in decades and will feature POC, women, and queer folx throughout.
San Francisco, CA, USA. Richard II is Shakespeare's examination of the destructive powers of privilege. In the second half of the Iizuka Repertory at The Magic, the company from the world premiere of Garuda's Wing will perform a new, lean production of Iizuka's Richard II shaped for this company. This will be the first Shakespeare produced by The Magic Theatre in decades and will feature POC, women, and queer folx throughout.
Directed by Kim Martin-Cotten. Radio Play by Catherine Eaton. Set in Woodstock during the sixties’ “Summer of Love,” David Ivers’ translation of Shakespeare’s "As You Like It" upends the rules of romance, gender, nature and politics in a tale of life’s joy and confusion.
San Francisco, CA, USA. Richard II is Shakespeare's examination of the destructive powers of privilege. In the second half of the Iizuka Repertory at The Magic, the company from the world premiere of Garuda's Wing will perform a new, lean production of Iizuka's Richard II shaped for this company. This will be the first Shakespeare produced by The Magic Theatre in decades and will feature POC, women, and queer folx throughout.
San Francisco, CA, USA. Richard II is Shakespeare's examination of the destructive powers of privilege. In the second half of the Iizuka Repertory at The Magic, the company from the world premiere of Garuda's Wing will perform a new, lean production of Iizuka's Richard II shaped for this company. This will be the first Shakespeare produced by The Magic Theatre in decades and will feature POC, women, and queer folx throughout.
San Francisco, CA, USA. Richard II is Shakespeare's examination of the destructive powers of privilege. In the second half of the Iizuka Repertory at The Magic, the company from the world premiere of Garuda's Wing will perform a new, lean production of Iizuka's Richard II shaped for this company. This will be the first Shakespeare produced by The Magic Theatre in decades and will feature POC, women, and queer folx throughout.
San Francisco, CA, USA. Richard II is Shakespeare's examination of the destructive powers of privilege. In the second half of the Iizuka Repertory at The Magic, the company from the world premiere of Garuda's Wing will perform a new, lean production of Iizuka's Richard II shaped for this company. This will be the first Shakespeare produced by The Magic Theatre in decades and will feature POC, women, and queer folx throughout.
San Francisco, CA, USA. Richard II is Shakespeare's examination of the destructive powers of privilege. In the second half of the Iizuka Repertory at The Magic, the company from the world premiere of Garuda's Wing will perform a new, lean production of Iizuka's Richard II shaped for this company. This will be the first Shakespeare produced by The Magic Theatre in decades and will feature POC, women, and queer folx throughout.